SD, HD, 2K, 4Kįrom SD to 4K, if you can feed the signal into your Mac, ScopeBox will monitor it.
Scopebox input sources mac#
Turn your older Mac Mini into a dedicated scope system, or take your scopes on the go with a Macbook, Macbook Air, or Macbook Pro.
Scopebox input sources movie#
Better Movie Support – Monitor mov, mp4, MXF, BRAW, AVCHD and HDV.CIE Palette – Confirm gamut ranges for multiple primaries.HDR and Wide Color – Updated graticles for st2084 P3, rec2020, anc rec2100 color science.TimeTrace Palettes – See changes in luminance, color and contrast over time.Cleaner UI – A modern interface for a more civilized age.
Scopebox input sources pro#
Whether you’re working in editing and compositing applications like Premiere Pro, Final Cut Pro X, or After Effects DIT tools like Prelude, Silverstack, or LiveGrade or color grading software like Resolve you can use the same professional scopes. ScopeLink allows you to feed video directly from many popular applications directly to ScopeBox. Add framing guides and overlays to make sure that your shot works out exactly the way you expect. With false color and feature insights, you get the most powerful toolset available for quanitative viewing. You get all the features you’d expect to find on a high-end field monitor. ScopeBox gives you a high quality, flexible preview monitor. You can mix and match scopes, save layouts, and be confident that you’re seeing every pixel and every frame of your signal. A custom toolset crafted for creative professionals – colorists, editors, and shooters. Cancel any time and keep the most recent version.Īll the scopes you’d expect from hardware, and many many more.Includes 1 year of updates and support.Combined cost of the hardware and software (other than the mac) was about $250.Software Scopes for DIT, Production, Editing and Finishing Scopebox Standard I had bought the BMD Mini Recorder and ScopeBox so I'd have an extra monitoring option on set without having to carry an extra monitor - and clients love it! I'm already carrying the computer for transfers, and the BMD box takes up almost no room (or weight) in the computer bag. Using the monitor to switch back and forth between the cameras makes the matching process a lot easier. On the Macbook I use ScopeBox software - which allows me to size the image, waveform and vectorscope nicely on the screen - I can make the vectorscope large enough to easily see the changes between cameras. I feed the switched out into a Black Magic Ultra studio Mini Recorder which connects to a MacbookPro via Thunderbolt.
(It's an OLED, and the processing time on the switch-over takes too long to really use the monitor on its own effectively for matching - however the switched out for the loop-through is virtually instantaneous). To simplify my 'camera match' workflow I use a monitor with A-B inputs and a switched out as a 'switcher'. You need to be able to switch back and forth 'live.' Here's the workaround that I use (it's ok to laugh, but it works.)
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